Through a synthesis of science, technology, and art, Juan Zamora (b. 1982) examines the intricate relationships between plants and their environments, engaging with the philosophical implications of plant intelligence and capacities.
By positioning plants, air, and other non-human entities as active participants in their ecosystems, Zamora encourages the audience to contemplate the ethical dimensions of our treatment of non-human life, prompting a reconsideration of our role within the broader tapestry of existence, illustrating the resilience and adaptability of life forms that have flourished for millions of years.
Photo: Courtesy of the artist
Juan Zamora: To Embody an Island, 2025, detail. Helsinki Biennial 8.6.–21.9.2025, Vallisaari Island. Photo: HAM / Helsinki Biennial / Maija Toivanen
To Embody an Island, 2025
Artwork location: Vallisaari Island
The site-specific immersive installation that challenges visitors to confront human-centred narratives that have traditionally dominated our understanding of consciousness.
Zamora’s research of bioluminescence – the ability of certain organisms to emit light – has culminated in the development of a bioluminescent fluid in collaboration with the Institute of Health Carlos III in Madrid, Spain. The fluid is produced by combining organic phosphorus and protein extracts from luminescent phytoplankton.
The artist collects dead leaves, some of which he decellularizes before injecting them with the bioluminescent fluid and encasing them in eco-resin derived from plant-based monomers and polymers, thereby ensuring no adverse effects on the surrounding environment.
The luminous vegetal perspective enhances our appreciation of the natural world and raises profound questions regarding consciousness and the interconnectedness of life.
Air is another significant component of the installation in Vallisaari’s Alexander Battery. Zamora collected air samples from around the island, which he cultured in suspended petri dishes containing microorganisms that will continue to grow throughout the duration of the biennial. Accompanying these discs are drawings and watercolours executed in bioluminescent fluid depicting plants, fauna, and other non-human agents.
The production is supported in part by a grant from Acción Cultural Española (AC/E), a state agency; Catapulta. A Launchpad for Contemporary Spanish Art and Embassy of Spain in Finland.