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Adrián Villar Rojas


Adrián Villar Rojas (b. 1981, Argentina) conceives long term projects, collectively and collaboratively produced that take the shape of large-scale and site-specific environments, both imposing and fragile, leaving scarce traces of their passage through the world due to perishing materiality and parasitical integration.

Within his research and worldbuilding, which mixes sculpture, drawing, video, literature and performative traces, Villar Rojas brings together the human and more-than-human realms while investigating the fragile and temporary nature of human civilization.

For Helsinki Biennial 2023 Adrián Villar Rojas will create a site-specific sculptural piece in dialogue with the environment and inhabitants of Vallisaari Island.

Adrián Villar Rojas,The Theater of Disappearance, 2017. Installation view, National Observatory Athen/ Greece; Courtesy of Adrián Villar Rojas, Marian Goodman Gallery, New York | Paris | London und kurimanzutto, Mexiko-Stadt © Adrián Villar Rojas, NEON foundation. Photographed by Jörg Baumann.

Solo exhibitions include The End of Imagination, The Tank, Art Gallery of New South Wales, Sydney (2022); El fin de la imaginación, The Bass, Miami (2022); La fin de l’imagination, Marian Goodman Galerie, Paris (2020); Poems for Earthlings, Oude Kerk, Amsterdam (2019); Sometimes You Wonder, in an Interconnected Universe, Who is Dreaming Who?, Tank Shanghai, China (2019); The Theater of Disappearance, The Geffen Contemporary at Moca, Los Angeles (2017); NEON at Athens National Observatory, Greece (2017); Kunsthaus Bregenz, Austria (2017);

The Metropolitan Museum of Art, New York (2017); Rinascimento, Fondazione Sandretto Re Rebaudengo, Torino (2015); Fantasma, Moderna Museet, Stockholm (2015); Two Suns, Marian Goodman Gallery, New York (2015); The Evolution of God, The High Line, New York (2014); Los teatros de Saturno, Kurimanzutto, Mexico City (2014); Today We Reboot the Planet, Serpentine Galleries, London (2013); and La inocencia de los animales, Moma Ps1, New York (2013).

Participation in international group exhibitions includes Portals, Hellenic Parliament + NEON, Athens (2021); Bruges Triennial, Belgium (2021); 12th and 13th Gwangju Biennale, South Korea (2020 and 2018); 2nd Lahore Biennale, Pakistan (2020); Dhaka Art Summit, Bangladesh (2020); Layers of Time, Moderna Museet, Stockholm (2019); 1st Riga Biennial, Latvia (2018); 14th and 12th Istanbul Biennial, Turkey (2015 and 2012); 12th Havana Biennial, Cuba (2015); 12th Sharjah Biennial, Kalba, United Arab Emirates (2015); dOCUMENTA (13), Kassel and Kabul (2012); The New Museum Triennial, New York (2012); and 54th Venice Biennale, Argentina’s National Pavilion, Italy (2011).

Villar Rojas has been the recipient of numerous prizes such as Konex Award (2012 and 2022); the Sharjah Biennial Prize (2015); the Prix Canson, Paris (2015); the Zurich Art Prize at the Museum Haus Konstruktiv (2013); the 9th Benesse Prize in the 54th Venice Biennale (2011); the Nuevo Banco de Santa Fe Scholarship for Young Artists (2006); and the First Prize National Art Biennial of Bahía Blanca, Argentina (2005). In 2020 he was nominated for the Hugo Boss Prize. His 2013 film, Lo que el fuego me trajo, screened at the Locarno International Film Festival 2013. His 2017 film trilogy, The Theater of Disappearance, screened at the 67th Berlin International Film Festival 2017.